Grace apparently spent a lot of time searching for figurative and abstract meaning in her "inner" and "outer" world. This has great resonance for me:
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Another painting, "The Massacre" painted in 1952 also resonates strongly with me:
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It reminds me of a much smaller acrylic painting I made in 2002 which I called "Spot The Ball":
But, while I am currently researching the work of Hartigan the real joy behind this blog was when I Googled her name and came up with a whole bunch of Graces' paintings I was also surprised and thrilled to find a link to Melinda's "Shamans" included (albeit on page 15!). But why should I be so surprised for what Melinda has created is as good as anything Grace has done.
Amen.
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